Mental Health Week in South Australia starts on 5 October and there are a range of events to get involved in across the State – breakfasts, book launches, walks and even “Odd Socks Day”, to promote the fact that we all have “odd” days!

 

OYM Logo

 

The week is organised by the Mental Health Coalition for South Australia (MHCSA) and will begin with a balloon launch to symbolise the “letting go” of the stigma still associated with this often invisible condition, with the purpose of the week being to raise awareness of the impact it can have on the daily lives of people, their family and carers.

Mindshare are helping to host the creative events, which include “HeadRead” taking place on Wednesday 8 October at the Coffee Pot on Rundle Mall, where entrants and winners of their recent “When Words Come to Life” Poetry Competition will perform some of their work alongside the short films based on the eight winning poems.

I have selected 3 pieces to read for the event, as my winning poem will be heard during the film I helped to create.  These poems convey a variety of states in respect of the delicate balancing act of the self with its mental well-being. This will actually only be the third poetry performance I have ever done, but I am very aware of the public profile poets require today, even if they do prefer privacy and solitude!  So I will get in some practice and keep my eyes open for further opportunities to “speak” rather than just write my work.

Love this collection by Rhian Edwards, branded “a brave and beautiful first book” by its publisher Seren, and indeed it is

Kim Moore's avatarKim Moore

Evening all!  First of all, I apologise for the silence over the last two weeks – last Monday I moved house finally – we had our offer accepted on a house, and accepted an offer on our house in April and have been waiting to move since then.  All I can say is that now I know why the economy ground to a halt – clearly solicitors hold the keys to the economy!  Anyway, last Sunday I spent the whole day packing the rest of the house up – and as my poetry books were the first thing to be packed, I didn’t have any access to the Sunday poem – which wasn’t the best planning admittedly.

So this is the first blog post I’m writing from my new house.  When I pulled up this afternoon and got out of the car, the bird song was deafening and then I…

View original post 1,500 more words

The Aurorean is a biannual poetry journal published in April and October out of Maine in the US by Encircle Publications.

 

The Aurorean

 

Its 60 plus pages offer a variety of form and content from poets all over the world, with a focus on New England and the seasons, and includes a wonderful selection of Haiku. Having won several small press awards, the journal publishes work that “uplifts, inspires, and is meditational”, a refreshing perspective “in a world full of angst”.

Editor Cynthia Brackett-Vincent kindly accepted some of my work recently to appear in their forthcoming Fall/Winter issue due out next month.  I was excited by this news, not least by the thought that my work will appear in this beautifully presented and prestigious journal but also, and to quote one of my literary friends, I have now “cracked the US market!”  So only 3 more continents to go, as I’m discounting Antarctica unless their definition of penguin has changed…

I have been working on a volunteer basis for The Australia Times (TAT) for over a year now as a poet and copyreader, after responding to their call for volunteers nationwide.

 

TAT logo

 

TAT is a free magazine-based online publication, blending professional and citizen journalism to create news for both the community and special interest groups.

With over 30 magazines to its name now, spanning the news, arts, lifestyle, entertainment, Australia and science and technology, subscribers really are spoilt for choice with TAT Books, TAT Fashion, TAT Gourmet, TAT Film to name a few, and of course TAT Poetry.  Edited by Maureen Clifford, a.k.a. The Scribbly Bark Poet, this fortnightly magazine publishes a wide range of work from Australia and overseas, be it free verse, Haiku, sonnet, etc., a perfect platform to get your work out there.

Maureen kindly published some of my work last year and is again later this month, so watch this space…and get subscribing to TAT!

After a lull in creativity, I was thrilled to learn that I am one of eight category winners in the above competition recently run by Mindshare. The prize is turning your poem into a digital film (you may recall I won something similar with Mindshare last year so they must like my style!).

When words come to life

So last weekend I attended a workshop working with a small production team to storyboard my poem and develop it into a short film. We explored elements of image, music, breath and movement, and the place you have to get to when reading your piece aloud. This was new to me as ‘speaking’ my work is not something I often do (and when I do it’s to myself), but it made me focus on exactly what I wanted to convey. Something else new was working on an Apple Mac! Being a Windows-based girl this required quite a bit of patience and time (and not just mine!), so I am very thankful to the Mindshare team, Tracey Davies and Mona Khizam, and also to the wonderful illustrator Fran Sherman who produced all the images for my piece.

The films will be aired to the public during Mental Health Week 5-11 October, and I for one can’t wait to see the final cuts!

 

Australian Poetry took a different approach to the release of its latest edition of the Australian Poetry Journal (APJ) by launching it online.

APJ

The live streaming video session took place on 23 July hosted by Lisa Gorton, poetry editor of the Australian Book Review, who interviewed four prominent poetry editors:

Each editor spoke about their job, the changing industry and most importantly what they look for in a submission.

Some said that a piece had to grab them in the first few lines and be doing something different, while others looked for evidence of reading and pleasure from reading the poem. The obvious no-nos were use of clichés, obscure formatting particularly for online publication and a certain spilling of the guts!

The conversation can be viewed in full at www.digitalwritersfestival.com, an insightful and entertaining discussion, and invaluable to anyone wanting to break into the Australian poetry scene.

 

 

Having recently received three rejections in a row from three different magazines/journals, an element of self-doubt can start to creep in – what am I doing wrong, how can the poems be improved, am I wasting my time, etc. Successes are wonderful, celebrated and then filed but maybe its human nature to dwell that bit longer on failure and make it personal.

frog

During my period of procrastination, I remembered a recent essay Kim Moore wrote during her digital residence with the Poetry School, where she describes her path to publication along with some practical hints and tips she learned along the way. But what I found really interesting (and somewhat reassuring!), is the overlap between the lists of magazines Kim’s work has been accepted in and rejected by (have duplicated it below for ease):

20140722_183819

There are particular magazines and journals I would love to get into, a few of which are on Kim’s list, so the message here is clearly one of perseverance!

Kim also went onto say that one of her poems was rejected 13 times before being accepted as part of a collection, and then went on to win an award in its own right.

So if you’re like me and have some work that you feel does have a certain something but just keeps coming back (a boomerang springs to mind!) don’t despair, it may just be a case of it finding its home.

I have just finished reading Captives by Angela Meyer, a very sweet little book (literally too as it’s perfectly pocket-sized) that holds an entertaining selection of micro fiction.

20140614_144808

The book is split into seven juxtaposed sections, such as On/Off, With/Without, Then/Now, with the exception of the last one headed Until.  Story length varies throughout as does focus, resulting in a kaleidoscope of beautiful snapshots that use almost poetic language to frame them.

In The day before the wedding, the opening piece, a woman “saw her love through a hood of dew and halted, her lungs dragging wet air” while in the very poignant Empty cradle, “the wind moaned and whistled through holes, filled with the whispers of fairy folk”.  One of my favourite examples of this delicious imagery can be found in Halloween in Atlanta, in which the protagonist recounts an acquaintance comparing their “episode” with the act of “scooping out – your thoughts like pumpkin mush”.

There is humour and loss, confusion and discovery, some will make you smile, others will make you think, any which way it is a wonderful first collection that warrants a read.

When I lived in London I participated in a few Poetry School courses, including a workshop with Pascale Petit and an online course facilitated by Helen Ivory.

logo

Last week the school hosted their first Digital Open Day via CAMPUS, a social network for poets.  I signed up to participate in a couple of their live Q&A chats but unfortunately, due to some technical issues our end plus the time difference, was not able to be actively involved.

However, following each event transcripts were posted on the site for group members to access so I was able to catch up on what I missed.  The live session Path to a First Collection provided a real insight into the heads of prestigious editors – Neil Astley of Bloodaxe Books (also see Jo Bell’s latest blog) and Amy Wack of Seren – and poets – Kim Moore and Hannah Lowe.  Neil and Amy explained what they look for in a submission to grab (and hold) their attention, whereas Kim and Hannah’s perspective was from the submitter and the arduous task of fine-tuning their work before sending it in.  It is an invaluable read for anyone making steps to putting their initial manuscript together, be it a full length or pamphlet collection.

Kim Moore is also the Poetry School’s new Poet in Digital Residence.  Kim is a wonderful poet based in Cumbria, with her intriguing first pamphlet If We Could Speak Like Wolves published by Inpress and eagerly awaited first full length collection due out in 2015 from Seren.  Kim has also been widely published in some of the top literary magazines, such as Rialto and Ambitand after reading her first blog I’m looking forward to more.

Different Approaches to Illness as Metaphor in Fiction and Poetry. 

I attended this fascinating talk in the week at the Adelaide University Library given by Heather Taylor Johnson, a wonderful poet and writer from the US now residing in Adelaide.

2014-04-25 15.26.44             2014-04-25 15.22.09

Heather was diagnosed with Ménière’s disease in 1999, a very debilitating condition resulting in a variety of unpleasant symptoms caused by an imbalance in the inner ear. Heather attempted to write about her experience of living with this chronic illness but found herself “frustrated with overwriting and an abundance of self-pity as the final product.” To resolve this she gave her illness to a 63-year-old man called Graham, one of the key protagonists in her highly successful debut novel Pursuing Love and Death, published by HarperCollins.

20140426_084350

Heather read extracts from her book that provided a real insight into what a sufferer can experience during an attack. You could feel Graham’s anger and frustration as he realizes this is going to be a ‘bad one’, and his utter helplessness with no choice but to endure it.

Writing about personal illness can be a challenge, a tightrope walk between communicating its impact (the negative) and coping with it (the positive). Heather magnificently achieves this delicate balance, and read poems from her beautiful collections, Letters to my Lover from a Small Mountain Town and Thirsting for Lemonade, which allude to the disease but don’t linger.    

All in all it was a very inspiring session, certainly one to think about.

 

Archives

Blog Stats

  • 26,128 hits
Rust & Moth

Singing in the shallows

Shaw and Moore

Singing in the shallows

The Orange & Bee

Singing in the shallows

The Amphibian Literary and Art Journal

for the culturally amphibious

Poetry in Process

Understanding poetic process from inspiration to final edit

Wakefield Press

Wakefield Press blog

Andy Jackson

Poetry from a body shaped like a question mark.

mistakenforarealpoet

odd posts from an occasional poet (or vice versa)

Cath Drake writing & communications

This site has been archived. Please head over to: https://cathdrake.com/