Rachael Mead‘s first collection The Sixth Creek was launched on Wednesday at La Boheme and I was delighted to be invited along.

 

20140411_134753

 

Following an insightful introduction by Jill Jones, a widely published poet and university lecturer, Rachael read a few pieces from her book engaging the audience with her warmth, beautiful imagery and sense of place.

 

20140409_190559        20140409_185917

 

One of Rachael’s poems that stood out for me was Hope is a Perennial.  It’s a powerful piece that highlights Rachael’s strong connection with her homeland, the Sixth Creek catchment area (hence the title), in which thoughts and emotions blend and intertwine with nature, where “Hope is not a strategy” is “cross-stitched” and “circled by forget-me-nots for the wall above the sideboard”.  Another vivid image is depicted in The Animal Within where Rachael describes walking “on legs ripe with indigo blooms from encounters with edges” as she tries to “remember how to live”.

The book leaves you with a real sense of ‘there’, of life and it’s balancing act, of relating to the familiar, a wonderful first collection by a very talented poet that makes you want more and look forward to the next.

On Wednesday after work I went to hear poets Rachael Mead and Jill Jones read at The Treasurer’s Wall in Adelaide’s State Library, one of many regular poetry events organised by Friendly Street Poets.

Treasures Wall State Library

Rachael’s work I am familiar with, and she recited a wonderful piece called Lake Eyre Cycle that was published in the Newcastle Poetry Prize Anthology 2013, Now You Shall Know.  Split into eight sections, it describes Rachael’s round trip to the lake with her husband in beautifully absorbing imagery, giving you a real sense of ‘there’.  Rachael also read from her first collection The Sixth Creek published by Picaro Press in 2013, which is an insightful assortment of poems about the place she lives in, the surrounding area and the wildlife she shares it with.  Rachael reads with a warmth and passion that takes you in, making you feel like you’re old friends.

The poetry of Jill Jones, I must confess, I am not so familiar with and thus have added her to my list of ‘poets to research’ (although I do recall Jill also being one of the Adelaide-based poets published in Australian Love Poems 2013). Jill also read a lengthier piece comprising six sonnets that get you to think about the planet we inhabit and the way it is falling, followed by a number of short pieces delivered with a wonderful quiet strength.

And then I did the inevitable – brought more books!  So mental note to self: more shelf space required… 

I have recently received a copy of an anthology containing my latest publication.  Memory Weaving, published by Poetica Christi Press and edited by Carolyn Vimpani, is a thought-provoking collection of dementia journeys that describes the loss of a person to this debilitating disease.

20140314_144045

There are poems about anger, confusion, love, grief, acceptance, sometimes humour and surprise, all of which have been thoughtfully grouped together under one of three headings – frayed at the edges, unravelled and threadbare – to denote the gradual lessening of the self to dementia.

The call for submissions was sponsored by Manningham City Council to promote awareness within their community of those living with dementia, their families and carers. To purchase a copy of the anthology contact the publisher directly, otherwise here is my poem to give you a sneak peak between the covers…

Visiting hours

 

Her hands don’t belong here

bewildered starfish beached on the table.

She wants to put them away

with the napkins and knives.

 

When the doorbell rings she answers the fridge

confused and then thrilled

to see her teeth grinning back.

 

She thought it’d be her daughter

nods polite to the woman who’s stolen her name.

 

Later she remembers the time

shuffles in slippers to find it again.

            Copyright © J V Birch 2013

Now I admit, I have only seen a few slam poetry performances over the years so my comparisons are not the broadest, but this group of young dynamic poets was amazing!

  9-Things-You-Didn-t-Know-About-Your-Ears-mdn

 
The show “Aotearoa Speaks – Chewing your Ears” definitely needs to be heard, delivered by some of the best spoken word poets from New Zealand, including national and international slam winners.  In a collaboration of stories from New Zealand, Samoa, Africa and Egypt, these 7 artists deliver a fusion of song, movement and poetry with poignant cultural and social themes that will get you thinking and reflecting long after they’ve left the stage.
 
Having performed 3 nights in Adelaide at the Brighton Performing Arts Centre they are now in Melbourne, so if you can get tickets I can’t recommend them enough. Here’s a little taster…
 
Writing something that means anything.
 
Rule 1: Don’t make it beautiful. Your metaphors are as pretty as an induced labour. Ideas swaddled too soon, let them sit in themselves like a soup.
 

February and March is a busy time in Adelaide – the annual Festival, the Fringe and of course, Writer’s Week.

20140307_113823

And what an eventful week it’s been! Last Thursday I attended a workshop by the inspiring Mark Tredinnick, a non-fiction literary master class that explored the process and influence of writing from fact.  The workshop generated a few ideas, thoughts and writers to research, so a very worthwhile investment I felt.

And then I went to a few sessions at Writer’s Week, conveniently taking place in the Pioneer Women’s Memorial Gardens just around the corner from where I work.  There was a poetry reading on Monday with the likes of Lisa Jacobson, one of the poets shortlisted for the 2014 John Bray Poetry Award with her verse novel The Sunlit Zone and David Malouf, who’s collection Typewriter Music was one of my many purchases from the frequently visited book tent.

On Tuesday evening I attended the monthly meeting of Friendly Street Poets (FSP) at the University of Adelaide where I read two pieces as a first time reader, for which I received a welcoming round of applause that managed to calm the nerves a bit (that and the free glass of wine I had beforehand!).  I have submitted both poems for consideration in the new annual anthology being finalised by the FSP editors so we’ll see how that goes.  I enjoyed the company of fellow poets Pam Maitland, Louise Nicholas and Nigel Ford, all of whom read extremely thought-provoking pieces, some not without humour, and were very supportive of my own performance.  Another noteworthy act was delivered by a group of New Zealand poets over to participate in their Fringe event taking place on Saturday night, Aotearoa Speaks – Chewing your Ears.  If their outstanding performance on Tuesday is anything to go by, this will be a fantastic and memorable evening so very much looking forward to it.

The final Writer’s Week session I attended was another of Mark’s where he was interviewed on aspects of love, birds and nature in his work by Mike Ladd, series producer of ABC’s Poetica.  This insightful chat prompted me to purchase another of Mark’s collections Fire Diary, which I have yet to indulge in.

So now I will take some time to breathe, reflect and do the thing that must be done following any whirlwind of words and wisdom…write, and then write some more!

Yesterday I tried a different writing technique.  Usually an idea comes to me or a title, first line or the last, I leave it to take shape in my head for a while and then write it down (normally in pencil unless I happen to be on my laptop) giving special care to punctuation, line breaks, stanzas, etc.  I almost try to get a final version straight off.  But yesterday, with a topic in mind, I just wrote – a solid block with no attention to sentence structure, breath or indeed anything other than getting down what I wanted to say.

notebook-and-pencil-Download-Royalty-free-Vector-File-EPS-3410

This came about after reading some work by Sarah Chapman, a dynamic young poet most recently published on Helen Ivory’s Ink, Sweat and Tears webzine.  An interesting result, quite liberating in fact.  I think the lesson I learnt is a very simple one all poets experience –  that deviating from what feels comfortable and familiar can lead you into a very new space to explore and in which to make your mark.

I am just in the throes of finalising the piece and then intend to submit it to one of a number of magazines on my increasing to do list !  Let’s see what kind of reception it gets…will keep you posted.

No time like today to post some love poetry !

 

ALP_FC_HR

 

So here is the poem I was thrilled to have published by Inkerman & Blunt in Australian Love Poems 2013, edited by Mark Tredinnick.  This wonderful collection is split into sections to capture the full spectrum of love and it’s journey – from those fresh heady sparks to the sometimes unavoidable last remnants.  My poem sits within ‘We outgrow love like other things’…

 

Leaving 

 

Our front door has gained weight

seems harder to close.

I manage our hallway then fold

a paper chained doll.

 

Temptation dropped me off.

He is older, wears suits

peels me undone with deep set eyes.

 

There is safety in here

a promise I’ll always be loved

It’s just not enough.

 

I know this will slice your insides

but I do it also for you.

You need more

than this glossed over longing.

 

I place my goodbye on the table

seven years of tears

line dried, folded in pairs.

 

Copyright © J V Birch 2013

 

Happy Valentine’s Day – spend it wisely  🙂

Volume 2 of the Australian Poetry Members’ Anthology: Poems 2013 is out now and available to order.

AP Members Anthology 2013

I am both pleased and proud to have a poem included in this wonderful collection, that sees poets from all over the country converging to express themselves in a multitude of ways on a variety of topics.

Emerging names speak alongside some of Australia’s prominent voices – I share the pages with the likes of David Adès, Jennifer Compton, P.S. Cottier and Rachael Mead.

So if you’re seeking a selection of the latest contemporary poetry from Australia, this is the perfect read.

bluewren

 

 

 

 

 

 

   (photo by David Sobik)

 

Bluewren Cantos is Mark Tredinnick’s new collection of poetry just published.  I only came across Mark’s work for the first time when he won the Cardiff International Poetry Prize in 2012, and then had the honour of meeting him at the launch of Australian Love Poems 2013 last September, which he edited. Mark’s poetry is the best kind – it draws you in, absorbs you and then leaves you with a little piece to keep. Having just ordered my copy, I can’t wait to dive in.

And what of me…?

Well, one of my poems – Admission – has just been published in the recently released Poems 2013: Volume 2 of the Australian Poetry Ltd Member’s Anthology. A wonderful start to 2014 – hope it’s a sign of things to come. 

 

The other day I was asked what single piece of advice I would give to poets just starting out.  And it is, unsurprisingly, that age-old answer – read, and read widely.

 

 

books

 

 

Not just your genre or style, go further.  Explore prose, narrative, fantasy, thrillers, whatever takes your fancy.  You’ll be surprised by what can inspire and breathe life into a piece that has been “work in progress” for months, years even.

So if you’re still looking for some stocking fillers for any fellow writers, these are just a few that are well worth a read:

 

Happy reading (and writing!) over the festive period   🙂

Archives

Blog Stats

  • 26,147 hits
Rust & Moth

Singing in the shallows

Shaw and Moore

Singing in the shallows

The Orange & Bee

Singing in the shallows

The Amphibian Literary and Art Journal

for the culturally amphibious

Poetry in Process

Understanding poetic process from inspiration to final edit

Wakefield Press

Wakefield Press blog

Andy Jackson

Poetry from a body shaped like a question mark.

mistakenforarealpoet

odd posts from an occasional poet (or vice versa)

Cath Drake writing & communications

This site has been archived. Please head over to: https://cathdrake.com/