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I was guest poet last night at the Southern Performers Interactive Network (SPIN) Christmas Concert in a jam-packed program of poets and musicians.

The event was co-organised by Julia Wakefield who I met at a writing workshop earlier in the year. It was a wonderful evening of entertainment, alternating between poetry and music, with the first half MC’d by Maria Vouis and Steve Evans.

Lindy Warrell opened the set sharing some of her Australasian poems amongst other countries, one of which was old age. Rose between Thorns stepped up next performing an excellent cover of ‘Alice’ and ‘Wicked Game’, aswell as some of their own music, followed by the fab Jill Gower who read entertaining poems about a man she met on a train in Europe and a room comparison with a friend.

Then it was my turn. I shared poems from my three chapbooks, giving a little context before each, and one from my first full length collection due out next year. Sharing the endometriosis poems was quite timely as this was the focus of a recent Insight program, so most in the audience knew about the condition.

After the break, guest musician Tim Saunders took to the stage playing a song called ‘Seflie’ on guitar and a Vivaldi rendition on flute amongst others. Steve Evans was up next, another great poet, sharing ’12 Days of Audit’ and ‘Dating Quiz’, both of which drew laughs from the crowd. Street Owls followed, playing covers of ‘Sweet Dreams’, ‘Ain’t No Sunshine’ and ‘Runaway’, which got us singing along, and Samuel Summer closed the first half who’s recording an album for a Year 12 project and has an amazing voice.

An open mic session followed, which I unfortunately had to miss being exhausted from a ridiculously busy week! But I thoroughly enjoyed myself – caught up with some fellow poets, made some new friends, sold some chapbooks – all in a welcoming and supportive environment. Hoping to spin more in the future.

I went to the launch of Shaping the Fractured Self: Poetry of Chronic Illness and Pain on Wednesday, a stunning collection edited by Heather Taylor Johnson, and the first of its kind in Australia from UWA Publishing.

Launched by Peter Goldsworthy, this is an exquisite book; to be absorbed, examined, shared and treasured.  In his foreword, Peter explores poetry as a cathartic process, the ‘cleansing of emotional wounds’, with ‘much hard-earned wisdom and hard-wrung poetry in the pages that follow.’

A plethora of diseases and conditions are represented – cancer, mental health, disability, postnatal depression, ageing and dementia.  Heather herself suffers from Ménière’s disease, an imbalance of the inner ear, and one she writes about here.  But what makes this anthology so special is its structure; three poems from each poet preceded by a narrative describing their illness and the impact it has.

And Heather has gathered together some fine Australian poets – the likes of Fiona Wright, Andy Jackson and Stuart Barnes alongside those who read at the Adelaide launch – Gareth Roi Jones, Ian Gibbins, Rachael Mead, Rob Walker and Steve Evans.

Gareth suffers from migraines, a debilitating condition painfully conveyed in his poem ‘aching’:

hours when simply standing up

is a pickaxe

when the growling dog

won’t let you through the gate.

Ian is a neuroscientist so knows about the body, how it works and how it doesn’t, demonstrated by his brilliant performance of ‘Cataplexy’, a poem which explores this rare condition where extremes of emotion trigger a switch from consciousness into a waking dream-like state.

Rachael was diagnosed with anxiety and depression, states eloquently expressed in ‘What lies beneath my skin’, which opens with:

The ringing telephone ratchets me into tension.

providing an insight into her daily management, when walking the dog offers some relief:

I put myself in the path of wildness

let it fill my long and hollow bones.

Rob’s condition is chronic osteoarthritis, a degenerative bone disease, where in his poem ‘radiology’ (composed with Magdalena Ball), ‘holding our future in nervous hands, we come with X-rays’, likening this process to ‘reading the stars within’, an ‘internal astrology’, a captivating image.

Steve suffers with temporal epilepsy, experiencing Alice-in-Wonderland-type moments of surreal forgetfulness.  In the ‘Body Electric’, he shares what it feels like:

My body is short-circuiting.

a tumultuous journey culminating in the final stunning lines:

And my words are brittle copies

Of what I used to do. My fingers fail.

I just can’t make a fist of this.

These snapshots are enough to tempt anyone living with chronic illness and pain to seek the bigger picture captured in this collection.  And they need not be a fan of poetry to be able to appreciate the unequivocal raw beauty of the afflicted self.

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