You are currently browsing the tag archive for the ‘Molly Munro’ tag.

Port Adelaide hosted its inaugural writers’ festival this weekend themed ‘Living Landscapes‘ in the historic Hart Mill Precinct, with an impressive line up and books courtesy of Matilda Bookshop.

Living Landscape Writers’ Festival Day One Program

Hosted in conjunction with Writers SA, the program comprised talks and readings examining our relationship with the environment and the role it plays in art, followed by a series of workshops to learn the craft of nature writing. The venue was perfect, set beside the beautiful Port River, home to a variety of life, including dolphins.

I attended the afternoon sessions, the first a panel discussion on ‘Writing the Changing Landscape’ with Ali Cobby Eckermann, Inga Simpson and Jill Jones, facilitated by Writers SA Director, Jessica Alice. It was fascinating to learn about their connection with country, the living world around them and how they capture and express this in their work, often giving voice to the damage we’re doing. Ali spoke about healthy moments and how childhood homes become unrecognisable. Inga grew up on a farm and sought solitude to develop her work. Jill shared examples of mindful suburban walking without distraction. There was talk of the creature’s we’re responsible for, how nature is giving us the solutions and a request for us to be curious again. But the most profound words for me were these when discussing those in power:

Just because you have the money, doesn’t mean you hold the riches.

Ali Cobby Eckermann
Molly Munro and Hannah Kent

The next session was a conversation between Molly Munro and Hannah Kent exploring ‘Nature as Character’. Molly echoed attendance to country and explained how Kangaroo Island, the setting for her latest work, is the last spiritual stopping place for indigenous cultures in South Australia. Hannah referred to the ‘livingness of things’ and shared her intimate connection with the landscape of Iceland where her first novel was set. Both stressed the importance of place in their work, how it must be more than a backdrop to a story to engage not just their readers, but themselves too. They also shared writers who have influenced their writing and that’s one of many things I love about these events, the reading recommendations you leave with, where you discover new writers and work, thought and theory.

I had booked Rachael Mead’s workshop – ‘Writing the Landscape anew through Poetry’ – today, but a deadline snuck up on me so unfortunately I had to cancel. Yesterday was a memorable afternoon, which left me deeply thoughtful, reminding me again how glad I am that I grew up when I did, with a childhood outside exploring nature, back when seasons were sure of themselves.

Archives

Blog Stats

  • 18,026 hits
The Amphibian Literary Journal

for the culturally amphibious

Whitmore Press

Publishers of fine contemporary Australian poetry

Claw & Blossom

human nature, natural world

Poetry in Process

Understanding poetic process from inspiration to final edit

Plumwood Mountain

Where poetry meets purpose

Wakefield Press

Wakefield Press blog

Andy Jackson

Poetry from a body shaped like a question mark.

Tears in the Fence

an independent, international literary magazine

Shooter Literary Magazine

Short fiction, non-fiction and poetry

mistakenforarealpoet

odd posts from an occasional poet (or vice versa)

Karen Dennison

Poet and artist

Cath Drake writing & communications

This site has been archived. Please head over to: https://cathdrake.com/

The Bell Jar

Projects and news from UK writer Jo Bell