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So this week’s Lee Marvin readers were Tom Sullivan, the host Ken Bolton (standing in for Kelli Rowe who was unable to make it), Irmina Van Niele and Gareth Roi Jones.

Lee Marvin

Tom, I found out a while ago, actually works at the same place I do albeit on a different floor, but I have never heard any of his work before. Tom read a number of poems all new, which is really the whole point of these readings, to experiment on the audience. The first was a powerful piece called ‘Threshold’ followed by a 7 part series ‘Vox’, with some delicious lines – ‘drinking desolation like tonic’ and ‘night with its carriages of hours’. Tom also shared a pair of poems, ‘Swoon’ and ‘Blush’ written with fellow writer Gareth also on the bill, and then a further three poems with too many memorable lines to fit in this post, but one of my favourites being ‘unrelenting cutlery of rain’.

Ken read two long (compared to my work!)  narrative poems and began by telling us that he doesn’t like to write a poem if he knows what he’s going to write, which I thought an interesting statement and began thinking if this applies to me…Anyway, the first poem was called ‘Tale of Two Cities’, the setting a coffee shop in which the protagonist mused over the staff and people passing by outside. This was followed by the second part ‘Clocking On’, which began as a response to a friend called Pete. Ken reads well, using the familiar to engage his audience by sharing things they can relate to.

Irmina, of Dutch heritage, began by explaining how her writing reflects her artwork and is often a response to particular life events. Irmina read a piece called ‘Mother Island’, in which she described her somewhat difficult relationship with her mother and the influence she had on her in her youth. Again there were many wonderful lines – ‘endless support to my endless mother’ and ‘her madness is slippery’ stood out, as did her reference to her mother as a ‘child mother’. Irmina’s piece struck a chord with me, many parts mirroring my relationship with my own mother. The piece finished beautifully – ‘where there is a sliver of time and she is calm, something can possibly be said’.

Gareth ended the evening reading two poems, the first, ‘Astral Travelling’ he worked on with Tom, which described a regression through his ages, a big picture down if you like. It began with a series of astronomical terms, and again haunting lines like ‘you, the centre of black holes in hearts everywhere’ and reminded us that we live in ‘the driest state in the driest continent on earth’. Ending in his heart, it made you think about how small we are in such a gigantic system of life. Gareth finished with a poetic monologue ’52 Hertz’, about the song of a whale of unidentified species that can only be heard at this frequency.

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